This website and its content are copyright of Karen Felt Fantastic
© Karen Felt Fantastic 2021. All rights reserved.
Any redistribution or reproduction of part or all of the contents in any
form is prohibited other than the following:
You may print or download to a local hard disk extracts for your
personal and non-commercial use only.
You may copy the content to individual third parties or their
personal use, but only if you acknowledge the website as the source of
the material.
You may not, except with our express written permission, distribute
or commercially exploit the content. Nor may you transmit it or store it
in any other website or other form of electronic retrieval system.
Process of Needle
Felting a Portrait
Felt is the oldest textile fabric dating as
far back as 6300 BC.
Felt
is
the
oldest
textile
fabric
dating
as
far
back
as
6300
BC.
It
is
created
from
wool
or
other
animal
fibres
that
are
densely
matted
together.
Felting
pre-dates
spinning,
weaving
or
knitting
and
for
centuries,
this
non-woven
fabric
has
been
used
for
yurts,
blankets, rugs, hats, boots and clothing.
To
emulate
what
people
created
with
wet
felting,
industry
created
the
felting
needle.
Thousands
of
these
needles
were
used
together
to
"needle
punch"
wool
into
a
fabric
and
allow
the
creation
of
felt
without
soap
or
water.
The
felting
needles
have
small, downward barbs that entangle the wool fibres together.
Needle
felting"
is
a
term
for
using
one
or
more
felting
needles
by
hand
to
create
flat
felt
or
felt
sculpture.
The
first
use
of
felting
needles
in
this
manner
that
we
know
of
was
in
the
early
1980's
by
artisans
David
&
Eleanor
Stanwood
who
took
a
tool
from
the
woollen
mill
industry
to
use
on
a
small
scale
and
began
needle
felting by hand.
I
have
been
felting
for
a
few
years.
I
am
mostly
self-taught,
but
I
have
been
on
some
courses
with
some
exceptionally
talented
artists
where
I
have
learnt
and
developed
my
own
style.
I
make
3D
models
but
now
I
am
mostly
concentrating
on
portraits.
I
have
been
lucky
enough
to
win
several
competitions
with
my
portraits
and my 3D works.
My
process
starts
with
conversation
with
the
client
about
what
they
would
like.
We
decide
between
us
a
suitable
photo
that
would
work
well
with
the
medium
of
wool.
And
then
we
decide
on
a
background
material
and
framing
options.
Once
we
have
decided
this.
I
will
take
the
photo
and
transfer
it
to
the
chosen
material.
I
then
choose
all
the
wools
that
I
need,
and
I
hand
blend
the
wool
for
any
extra
colours
that
I
need.
Then
comes
the
painstaking
process
of
attaching
the
wool
to
the
material.
This
consists
of
many
different
techniques
and
takes
many
hours
to
complete.
I
will
email
you
a
high-quality
watermarked
photo
of
your
portrait
when
it
is
nearing
completion
for
your
approval
and
for
any
changes
you
might
require.
I
will
then
email
you
when
the
portrait
is
finished
but
not
yet
off
the
mat
for
any
final
changes.
If
you
are
happy,
I
will
then
remove
from
the
mat
and
mount
the
portrait.
At
this
point
no
more
changes
can
be
made.
I
will
then
post your portrait to you for you to enjoy forever.